In 1740, a trial was held in New France. Marguerite Duplessis, a native woman, bought and then sold, was obliged to embark for Martinique. She refused and demanded her freedom. In a space resembling a ship’s hold, four performers take turns slipping into the skin of this Quebec native forced to leave the land of her ancestors. Slammed, sung, and shouted, the words resound like a pop litany of feminist and decolonial struggles, past and present.
Performers: Anna Beaupré Moulounda, Catherine Dagenais-Savard, Émilie Monnet + 4th performer to be confirmed (April 2024)
Text: Émilie Monnet
Dramaturgy: Marilou Craft
Director: Émilie Monnet, Angélique Willkie
Assistant director: Mélanie Demers
Music: Laura Ortman
Set design: Max-Otto Fauteux
Lighting: Julie Basse
Video: Caroline Monnet Caroline Monnet
Sound and music: Frédéric Auger
Vocal arrangements: Émilie Dominique Fils-Aimé
Vocals: pow wow Black Bear Singers
Costumes: Korina Emmerich, Yso
Assistant Director: Érika Maheu-Chapman
Vocals: Dominique Cyrille
Video integrator: Dominique Hawry
Sound mixer: Frédéric Auger
Video control: Marie-Frédérique Gravel
Technical director: Romane Bocquet
Surtitles: Elaine Normandeau
Tour Director and Surtitles Manager: Élise Di Pierro
Production: Dominique Sarrazin
Administration, management: Dumont St-Pierre
Communications: Jean-Matthieu Barraud
Representation: Cusson Management; La Magnanerie MAG.I.C
Production: Productions Onishka
Coproduction: Espace Go
Contribution to creation : Madeleine Sarr, Aïcha Bastien N’diaye, Letícia Tórgo, Soleil Launière
Support: Fonds national de création du Centre national des arts, Fondation Cole, Conseil des arts du Canada, Conseil des arts de Montréal, Conseil des arts et des lettres du Québec, programme Territoire Création Théâtre de la Ville (Canada), Théâtre du Bic (Canada), Théâtre Hector-Charland (Canada), Émergence théâtrale autochtone du Centre des auteurs dramatiques en partenariat avec la Fondation Cole, Conseil des Arts et des Lettres du Québec
Résidences Théâtre Le Diamant (Canada), Centre du Théâtre d’Aujourd’hui (Canada), École nationale de Théâtre du Canada, Salon 58